Greek Literature between Ottoman Heritage and European Orientation, 1880 to the Present

The project aims at examining contemporary Greek literary representations of cultural and social identities in the period of Ottoman rule and situate them with the broader context of identity discourses in Greece. In the background of earlier writers’ efforts not only to come to terms with the pre-national Ottoman past but also to inscribe Greek letters into a European or more broadly Western literary tradition this project analyzes several contemporary historical novels (1989-2011) along thematic categories such as ‘historical truth and the truth of others, ‘lost homelands and nostalgia’, ‘co-existence and cosmopolitanism’, and ‘the European context – east and west’. 

Through in-depth analyses of recent historical novels, the project focuses in particular on how the novels’ representation of characters and living conditions in the Ottoman societies can be interpreted as comments on contemporary society by using the past either as a mirror or an explanation of problems in the present or as a source of a longed-for model of society be it from a national group perspective or a supra-national (multi-cultural/cosmopolitan or imperial) perspective.

The monograph The New Ottoman Greece in History and Fiction (2019) explores the increasing interest in the Ottoman past in contemporary Greek society and its cultural sphere. It considers how the changing geo-political balances in South-East Europe since 1989 have offered Greek society an occasion to re-examine the transition from cultural diversity in the imperial context, to efforts to homogenize culture in the subsequent national contexts. This study shows how contemporary immigration and better relations with Turkey led to new directions in historiography, fiction and popular culture at the beginning of the twenty-first century. It focuses on how narratives about cultural co-existence under the Ottoman rule are used as a prism of national self-awareness and argues that the interpretations of Greece’s Ottoman legacy are part of the cultural battles over national identity and belonging. The book examines these narratives within the context of tension between East and West and, not least, Greece’s place in Europe.

The monograph The New Ottoman Greece in History and Fiction (2019) explores the increasing interest in the Ottoman past in contemporary Greek society and its cultural sphere. It considers how the changing geo-political balances in South-East Europe since 1989 have offered Greek society an occasion to re-examine the transition from cultural diversity in the imperial context, to efforts to homogenize culture in the subsequent national contexts. This study shows how contemporary immigration and better relations with Turkey led to new directions in historiography, fiction and popular culture at the beginning of the twenty-first century. It focuses on how narratives about cultural co-existence under the Ottoman rule are used as a prism of national self-awareness and argues that the interpretations of Greece’s Ottoman legacy are part of the cultural battles over national identity and belonging. The book examines these narratives within the context of tension between East and West and, not least, Greece’s place in Europe.

Cover of The New Ottoman Greece in History and Fiction
The New Ottoman Greece in History and Fiction
  - A title in the book series Modernity, Memory and Identity in South-East Europe

 

 

 

 

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Trine Stauning Willert

Trine Stauning Willert